Tuesday, October 23, 2012

Locke on Unauthorized Music Sharing


While discussing Locke’s property theory, Professor LaVaque-Manty highlighted the dilemma of intellectual property, specifically unauthorized music sharing (UMS). Although the professor didn’t ask who has downloaded music illegally, I imagine the majority of us have done it at some point in our lives. Strangely enough, when the professor asked whether UMS is equivalent to stealing, the majority of the class agreed it was. There was, however, a student who defended UMS. In his defense, this student argued that the music was originally purchased by an individual with his hard earned money, making the music his property. Accordingly, the owner can handle his property however he wishes, including sharing it with his friends. While this defense seemed logical, it didn’t sit well with my moral principles. I knew unauthorized music sharing was wrong; I just needed a quality defense. Luckily, I found the defense within Locke’s theory of property.
John Locke
     To begin my defense, let me explain the fundamentals within Locke’s property theory. According to Locke, God gave the earth to all people and, accordingly, every person has a right to his share of the land. To privatize land, Locke defines property as anything in which an individual performs work on and takes out of the state of nature. Locke justifies this theory, stating people naturally own their bodies and subsequently own the things that their body works on.  With the introduction of money, employers compensate employees for their labor, and as a result, employers own whatever the employee produces.
     Locke expands on his property theory by describing the limitations on property accumulation. Locke states that an individual can continue to accumulate property as long as there is enough land for other people and the land is not spoiled. In regards to spoilage, Locke believes the man who possesses the spoiled land “took more than his share” and now can’t tend all the land. Although Locke discusses spoilage in the context of agricultural land, spoilage also refers to the general decrease in value of any object. Just as a spoiled piece of land loses value, a scratched CD drops in price. Spoilage occurs in any case in which the value of an object is harmed.
BitTorrent is a popular music sharing site.
So how does Locke’s theory condemn unauthorized music sharing? Consider where the music started, how it changed hands, and where it ended up. When creating an album, the artist spends hours writing lyrics and recording songs. Therefore, the finished album is the artist’s property. When the album hits stores, people purchase the album with their own money; thus compensating the artist for his work and making that copy of the album their property. However, if an individual (John) who purchased the album gives the music to his friend (Frank) for free, both John and Frank violate Locke’s property limitations.
By sharing the music, John and Frank specifically violate Locke’s spoilage rule. When John gives the album away for free, he allows the property to spoil, meaning it decreases in value. By receiving the album for free, Frank’s demand for the album diminishes, thus lowering the overall demand for the artist’s album. Consequently, the price/value of the album decreases, which, in this context, is equivalent to spoilage. Under Locke’s principles, spoilage, and therefore UMS, is illegal.
     In the interest of full disclosure, I should mention that with the introduction of money, Locke accepts unlimited accumulation. Locke reasons that perishable items can be converted into money, a nonperishable item, making the spoilage problem obsolete. In my opinion, however, this rational falls short because money does not replace perishable items, it simply quantifies their value.  In effect, items continue to spoil regardless if we associate money with them. This issue obviously warrants further explanation. Due its enormity, however, this issue can’t be fully explained in this blog post. Nevertheless, I disregard Locke’s unlimited accumulation theory when making my defense for the illegality of UMS.

9 comments:

  1. I think you're right Jackson; I too agree that music sharing is wrong. However I was thinking about how much more complex laws of property have become since Locke's time. When we think of music we consider the artist to be the owner because their name is most commonly associated with the product. A lot of people, when they defend unauthorized music sharing, say that the production company makes most of the profit anyway. Many feel like stealing from corporations or big labels is ok because a.) they reason these companies will make a lot of money anyway and b.) because they feel like management deserves less credit than it generally receives in larger companies where commissions are more in exchange for a service that can mass distribute music. I think the latter reason is quite interesting because many people feel that in larger companies, management does not have to work hard. The name of that company is already established and they do not have to put as much labor into publicizing something an artist has already created. Labels can demand so much pay because the artist requires them to navigate an industry where people are more likely to but music from popular producers. People resent paying labels more than artists because they find this system unfair. Of course your arguments about why unauthorized music sharing is morally unsettling still stand in my opinion, but I think many people who illegally download music justify it for the reasons I have listed above which also derive from Locke's theories.

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  2. This was a very well put together post. I agree with your idea of decreasing demand decreases price. But what about the radio, pandora, youtube, and many other sources of "free" music. If people can listen to any song they want using these sources, why does it matter if they don't buy the CD. What if John listens to his music with Frank instead of making Frank buy his own, is that stealing? As far as I'm aware, these sources don't count as stealing but still decreases the amount of value the CD has. I'm not saying that pirating is ok (also not saying that I haven't done it) but I feel that it isn't just as simple as the value of a CD.

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    1. Eric, I do understand where you're coming from, but I think the outlets you have mentioned are all vastly different than simply downloading music illegally. I am always looking for new technology to access music for free, but have never and will never illegally obtain it. That being said, I use all of the technology you suggest. Pandora restricts how many songs you can skip per hour, and in 2011, the company paid $149 million to songwriters and musicians(http://www.bestofneworleans.com/gambit/pandora-and-music-royalties/Content?oid=2001193). Regular radio pays songwriters, and most artists view it as free publicity for their music. And technically all youtube videos that aren't posted by the recording company or artist themselves are illegal.

      I agree with Jackson; Locke's theories suggest that since the artists invest their time and hard work to create music, we as the consumers must respect that and pay for the right to access it.

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    2. I, too, agree with Jackson wholeheartedly. To add to what Julie said, I'd like to bring up an example.
      I'm a frequent user of Spotify, an application which streams free music to computers, and for a price, to mobile devices (not making it "free music" anymore, but nevermind that). It incorporates Facebook, letting you see what songs your friends are playing at any given moment. I was curious as to how they stood on this spectrum. I was shocked.
      http://www.digitalmusicnews.com/stories/100311projektfighting#5j9szEV_glU_IBVCZ6tO6w
      One band in particular received $0.0013 per stream, and "Spotify's rate requires 3,461 streams to buy a mocha at [a] local cafe".
      Ridiculous. I grew up watching my sister tarnish our computers (viruses. many.) with Kazaa and LimeWire, and it killed me. I didn't understand, but at the same time, I couldn't understand why people would cough up $0.99 a song or $9.99 an album on the revolutionary iTunes. UMS has always bothered me, but unfortunately, it wasn't until recently that I started to buy CDs from shops or do digital downloads off of my favorite bands' websites.
      It's unfortunate that, for bands like Projekt, they are seeing so little compensation for years and years of commitment. The satisfaction I get in purchasing a CD is wonderful. Still, there are problems regarding how much the artists are actually making in any form of music sharing. Let's hope it gets solved, music is an amazing thing.

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    3. Eric, we can legally listen to music on the radio and on youtube because both outlets compensate the artist in some way. Although we (the consumers) do not pay youtube or radio stations directly, they make money through advertising (based on our viewership) and use it to pay the artist, who is responsible for attracting viewers to the outlet. I am not familiar with Pandora, so I will trust what Julie said in her post. But I am sure Pandora pays the artist for their music. Since all these outlets pay the artist for their music, the value of the music does not decrease.

      In regards to your Frank/John scenario,it would only be UMS if John let Frank copy the CD to his ipod or computer. But if they are listening to it in the car, I consider that legal because John is advertising the music to Frank, not giving it to him. Artists probably encourage people to let their friends listen to their music because it could cause their friends to buy the album themselves.

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  3. Jackson, this is an interesting post. I've always felt that downloading music is wrong, and many people agree with me, but it's difficult to argue the case. You used basic economic theory of demand to effectively articulate why it's economically unjust to download music for free, and this argument is definitely going in my back pocket. I thought your description of UMS as Lockean spoilage was particularly interesting. I have a couple of nitpicky disagreements, however.
    The first thing I take issue with is your repeated statement that UMS is illegal according to Locke. I think Locke would agree that it is illegal, but probably because it is against the law according to U.S. Code. You're making a moral point, not a legal one - which is perfectly appropriate, since we're talking about political theory and not copyright law.
    The second and more difficult problem is a question to which I don't have an answer. Is music a product in the same way that say, corn or wheat is a product? The artist doesn't surrender all rights to his or her music after selling it in the same way that a farmer surrenders the rights to his food. Of course, you can't replicate food ad infinitum.
    The third point I wanted to make is that, speaking as a musician and songwriter, writing and recording music takes days and weeks, not mere hours. Speaking as a fan, making music is only one small part of the job of being a musician - the business end of it takes a lot of time as well, and most bands can't afford managers (partly due to the ubiquity of UMS).

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  4. Jackson, your post definitely raises some interesting points. Firstly, I would like to agree with the notion that downloading music illegally online is wrong for more than reasons that it is just illegal. Clearly, it is the principal that someone worked hard to deliver a product, and that you are not paying for the consumption of it. Sometimes, because music is not a tangible good, this premise is lost. Secondly, as far as the unlimited accumulation theory, the unlimited nature of music does not mean that these songs will necessarily lose their value because of the "illegal sharing" of them. Analyzing this situation through an economic lens, just because someone now possess the item without having purchased the song does not mean that the item will lose value. Maybe, economically, the song will be worth less because of the fact that consumers are finding other ways to acquire it. However, the value or total utility of the item has not changed. The demand for the product has not wavered either, just the way in which this demand is satisfied is now differed with this "illegal sharing". One must distinguish the value of any good between its actual worth and its economic worth.

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    1. Marc, you need to educate me further. I am not an economics guru, so you need to be more specific when you distinguish between economic and actual worth. To me, they seem like the same thing because demand determines the value of products. I do not understand why the actual value of an item would not decrease if people get it for free. Here is another way I look at it. If people get an album for free, they have no reason to go purchase it at the store. As a result, album sales decrease and the artist makes less money. In the eyes of the artist, the album is less valuable because it makes him less money. Also, you say that the demand for the product doesn’t waiver when people get the product for free. How so? If people get the album for free, there are fewer people who want (or demand) the album. Hence, the demand decreases.

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  5. It seems like everyone's agreed on the fact that unauthorized music sharing is wrong. I think it's pretty easy, and justifiable, to label piracy stealing. However, I don't think what it's referred to is going to make a difference. The fact is, piracy is so incredibly widespread that it would be impossible to stop it. Rights holders have time and time again tried to, with the help of the government, shut down, or at least slow down, the spread of piracy. An example of this would be the bust of megaupload.com a couple months ago. There are just simply too many repercussions involved when the government takes action against an act that so many people engage in.

    Let's be real here. Almost nobody care whether or not piracy is right or wrong. Or, let me rephrase that: people may care, but it won't make a difference, nor is it the main reason why action of any kind would be taken. The people who are trying to stop piracy certainly aren't focusing on moral justification; they just want their money. And I guess, this is, in a way, related to the morality of it all, since we are referring to money as property, but I still think that it's pointless for individuals to fight this, irregardless of their stance on the situation. The fact of the matter is, the government can't take action because of the extent of freedom they would have to limit in order to prevent piracy since it's already so widespread. Internet freedom is certainly not a one dimensional issue.

    I buy albums. But I'm not going to freak out if a friend makes me a CD with his favorite music. The fact of the matter is, the music industry is going to need to adapt to this age of information. Whether or not it's right or wrong is not exactly an important issue, although for individual's personal convictions, it definitely should be.

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